Design inspiration from around the world.

What the FFF?

Founded in 2005 by an ever growing group of designers, illustrators, coders and makers eager to collect and share the best design work they came across, FormFiftyFive soon became an international showcase of creative work.

We scour the world’s best creative talent to keep FormFiftyFive a foremost collection of current design from both the young upstarts and well known masters. We’re constantly on the look out for new features that dig even deeper into what’s happening in the design community, so get in touch if there’s something you’ld like to see on here.

Have a look round, if you see something you love or hate be sure to comment, and drop us a line if there’s a juicy bit of creative gold you’d like to see on here.

Keep it real, the FFF team.

The FFF team

Glenn Garriock — 1558 posts
Graphic designer – Uetze, Germany

Jack Daly — 1185 posts
Graphic designer & Illustrator – Glasgow,…

Lois Daly — 45 posts
Lois Daly – Graphic Designer, Glasgow

Alex Nelson — 80 posts
Designer/coder – Leeds/London/Melbourne

Guy Moorhouse — 46 posts
Independent designer and technologist — London,…

Gil Cocker — 319 posts
Designer & Maker – London, UK

Barry van Dijck — 125 posts
Designer & Illustrator – Breda, The Netherlands

Gui Seiz — 135 posts
Graphic Designer – London, UK

Chris J
Chris Jackson — 71 posts
Graphic Designer – Leeds, UK

Tom Vining
Tom Vining — 12 posts
Graphic Designer – London, UK

Tommy Borgen
Tommy Borgen — 15 posts
Graphic Designer – Oslo, Norway

Clinton Duncan — 24 posts
Creative director – Sydney, Australia

Amanda Jones — 26 posts
Graphic Designer – Ann Arbor, Michigan

Gabriela Salinas — 18 posts
Graphic designer – Monterrey, México.

Felicia Aurora Eriksson
Felicia Aurora Eriksson — 6 posts
Graphic Designer – Melbourne, Australia

Got something for us?

If there’s a juicy bit of creative gold you’d like to see on FFF, or you’d just like to get in touch, email us on the address below and we’ll get back to you as soon as we can.

You can also check out our guide to the perfect submission here.

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New Laurence King titles

Now and again books come across our path here at FFF that we just have to share with you. Since the rise of the graphic design blog, and aggregator sites, the need for ‘overview’ design books has decreased somewhat – which makes coming across good ones all the more exciting. In such books the quality of the content is often reflective of the curator, and in these two instances from Laurence King that quality shines through.

Graphic Design Visionaries is by Caroline Roberts, founder of Grafik magazine, she knows a thing or two about design history having written several books, and in this latest 312 page slab she looks at 75 of the world’s most influential designers, their fascinating personal stories and significant works that have shaped the field.

Arranged in chronological order, the book shows the development of design, from early innovators such as Edward McKnight Kauffer and Alexey Brodovitch to key figures of mid-century Swiss Design and corporate American branding. The book profiles masters of typography, such as Wim Crouwel; visionary magazine designers, such as Leo Lionni and Cipe Pineles; designers who influenced the world of film, such as Saul Bass and Robert Brownjohn; and the creators of iconic poster work, such as Armin Hofmann, Rogério Duarte and Yusaku Kamekura.

Combining insightful text and key visual examples, this is a dynamic and richly illustrated guide to the individuals whose vision has defined the world of graphic design. If you are looking to brush up on your design history, or inspire someone to discover it for themselves, this is a great place to start.

Type: New Perspectives in Typography is edited by the hugely talented leading typographers Henrik Kubel and Scott Williams (better known as A2/SW/HK) and is an A to Z showcase of more than 100 carefully selected contemporary designers, including the best examples of their current work, and also features an introduction by Rick Poynor. These are typographers at the very top of their game, so when they curate, we take note.

Featured designers include David Pearson, Philippe Apeloig and Anthony Burrill, among others, alongside essays by acclaimed design writers Emily King, Paul Shaw, Monika Parrinder and Colin Davies that explore the past and future of type design. This book will encourage and inspire the next generation of designers as well as provide a sourcebook for seasoned designers and educators. It’s a fantastic looking book full of inspiring work.


The 100/100 Beer Project

“There’s something about a beer label: a simple canvas attached to a uniquely appealing product.”

With that thought in mind SB Studio have brought together 100 high-profile designers and illustrators (such as Build, Pentagram, Spin, Manual, Hyperkit, StudioThomson, Jean Jullien, Paul Davis, Hey & Lance Wyman) to decorate the humble beverage, starting with a name for each beginning with SB.

As Nick Asbury explains: “…the game starts: on one level, a purely playful exercise in creative expression; on another level, a distillation of the purpose of design and branding — to give life and personality to the products around us.”

The project in aid of a great cause – the ArtFund, supporting museums and galleries by helping them to buy and display great works of work for everyone to enjoy.

Get yourself a copy


Review: Shaughnessy x Brook

In this second of our year end reviews we’re looking again at publishing, this time focussing on books. Who better to speak to on the subject than the duo responsible for FFF-favourite Unit Editions – Adrian Shaughnessy and Tony Brook. With Manuals 2 [Unit 18] still flying off the virtual shelves we hear their individual reflections, highlights & predictions…

Tell us what it is you do, and why you do it..

AS/ I’m a graphic designer, writer and senior tutor in Visual Communication at RCA, and as one of the co-founders of Unit Editions, I’m also a publisher –but even after five years of Unit, it still sounds odd to write that. Me a publisher? Well, yes, actually. As for why I do what I do? Paranoia, fear and self-doubt.

TB/ I’m a designer at Spin and a (relatively recent) publisher with Unit Editions, I also collect graphic design and have curated a couple of exhibitions. I didn’t have any real choice about the design aspect, it is a vocation; I’m lucky enough to love what I do. The other three facets have happily fallen out of the first.

Can you both give us a couple of personal highlights from the year?

AS/ I’m not very good at looking back. I can barely remember what I did last week, far less think about what was happening in January. In my view, you only look back when you don’t have much to look forward to. There’s never been a time in my life when I haven’t had an immediate future stacked with deadlines, objectives and targets. When I’m in the old folks home with my hearing aid and pacemaker, I might start to look back. Having said that, I’d say that the success of our two Manuals books has been a highlight. Two weeks in Japan was also pretty good. Curating a show of 50 years of graphic design at the RCA was fun. But other than that it has been relentless work, work, and more work.

TB/ It’s been quite a year. I got to visit New Zealand through an invitation to talk at Semi-Permanent. It was a fabulous experience: I got to hang out with the legend that is Dean Poole from Alt group. Work-wise, seeing Manuals 2 in print has been incredibly satisfying, and launching the Spin website was a real highlight. Meeting up with Lance Wyman and Paula Scher was the cherry on top.

You collaborate on Unit Editions, how did that all come about?

AS/ I’d reached a point where I was fed up working with mainstream publishers and was beginning to think about starting my own imprint. I went to the pub with Tony and he said he was also contemplating starting a publishing venture. He had already done some self-publishing so he was ahead of me. But it made lots of sense that we combine our skills and use the knowledge and experience we’d both accumulated as studio owners over many years to start Unit.

TB/ As Adrian mentioned we had a fortuitous meeting where, after the shortest time, we realised that our ambitions were very similar and that our mutual interest and skill sets meant that we could make something work. There was a giant Unit Editions-shaped whole for books that balanced out (hopefully) beautiful design with rich visual and written content.

Read more


Counter-Print: Human Logo

Counter-Print books have released their latest book ‘Human Logo‘. Making the series a trilogy of logo showcase books alongside ‘Monogram Logo’ and ‘Animal Logo’

The latest volume contains over 300 logos in sections such as bodies, hands, hearts, eyes and faces. As usual some of the world’s leading design companies such as; Wolff Olins, Pushpin Group, Hey, Chermayeff & Geismar, Berger & Föhr and many more have contributed their work.

Just in time for Christmas Counter-Print are offering the opportunity to buy all three of our logo books for a special price of £21 (including delivery to the UK).

Get them bought!


Hello I am Erik

We probably don’t have to tell you that Erik Spiekermann is one of the best-known graphic designers in the world. He not only represents German typeface and corporate design like no other, but his work and the companies he has founded have had an huge influence on contemporary graphic design and probably most of our readers as designers. The visual biography Hello, I am Erik is the first comprehensive exploration of Erik’s career, his body of work, and his mindset.

The book includes an impressive list of contributions by Michael Bierut, Neville Brody, Mirko Borsche, Wally Olins, Stefan Sagmeister, Christian Schwartz, Erik van Blokland, and many others.

“The ability to reduce complex ideas to unforgettably simple forms is a remarkable gift. Erik can do it with typefaces, or images, or words and – seemingly – in any language. That is the mark of a great designer, and that is what Erik Spiekermann is.”

Michael Beirut

The book is available directly from Gestalten Books and comes highly recommended by the FFF team!


Spin launches a new portfolio

The London design studio Spin , renowned for their clear & elegant design solutions, have updated their website. Packed with consistent product shots of old and new work and apparently some previously unseen Unit Editions Books. The responsive website makes use of some lovely subtle features like scrolling through images on mouse-over and a visible breadcrumb trail that opens up a sidebar menu.


Counter-Print: Monogram Logo

After last years success of Counter-Print’s Animal Logo book, we were please to receive a press release of their the launch of their latest book ‘Monogram Logo’.

The new book comes in a bigger format with even more examples and an extra 36 pages of excellent monograms and ciphers from around the world.

Designed by Leterme Dowling the collection contains 452 logos from some great studios such as: Bruce Mau Design, Louise Fili, FITCH, BankerWessel, Stefan Kanchev and many, many more.

Monogram Logo is available to purchase from the Counter-Print Shop.


Counter-Print: Animal Logo

Counter-Print’s have just released their latest publication Animal Logo.

The book is a collection of categorised animal logos and symbols from around the globe. Containing 266 logos from some of the world’s greatest designers and companies including; Total Identity, Lance Wyman, Build, Stockholm Design Lab, Minale Tattersfield, Stefan Kanchev, Kari Piippo Oy and many more.

Available directly at Counter-print for only £7.50. Get it bought!


Everyday is Play.

If you back one Kickstarter project this month it should be Everyday is Play – A Celebration of the Video Game, a book project by Matthew Kenyon.

The book will showcase the works of designers, musicians, artists, writers and developers that have taken inspiration from the art that we grew up with. Through a series of features and interviews, covering everything from fan art to game modifications, it should provide not only a beautiful book but a wealth of inspiration.

For more information on the book and how to help make it happen visit the Kickstarter page.

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Thanks for the comment about the work, can you elaborate on what you mean by not responsive?

Leigh Anderson on Photography by Anderson – What you see is what you get

very beautiful work, but the *new* site is not responsive?

Cat on Photography by Anderson – What you see is what you get

Hi, I was thinking about 5 minutes, where the parallax effect is. After that i recognized that parallax is the brand name and is not the html effect in there


Webdesign Agentur Browserwerk on Parallax Design

It’s been over 6 years and I still remember this guy’s pigeon postman.

Kirsten Murray on Nicholson Illustration

I can see this being on my birthday list!

petemandotnet on Counter-Print: Modern Heraldry

Hope Blissets bookbinders is in there!

Nigel on Counter-Print: Modern Heraldry