Design inspiration from around the world.

What the FFF?

Founded in 2005 by an ever growing group of designers, illustrators, coders and makers eager to collect and share the best design work they came across, FormFiftyFive soon became an international showcase of creative work.

We scour the world’s best creative talent to keep FormFiftyFive a foremost collection of current design from both the young upstarts and well known masters. We’re constantly on the look out for new features that dig even deeper into what’s happening in the design community, so get in touch if there’s something you’ld like to see on here.

Have a look round, if you see something you love or hate be sure to comment, and drop us a line if there’s a juicy bit of creative gold you’d like to see on here.

Keep it real, the FFF team.

The FFF team

Glenn Garriock — 1540 posts
Graphic designer – Uetze, Germany

Jack Daly — 1184 posts
Graphic designer & Illustrator – Glasgow,…

Lois Daly — 45 posts
Lois Daly – Graphic Designer, Glasgow

Alex Nelson — 79 posts
Designer/coder – Leeds/London/Melbourne

Guy Moorhouse — 45 posts
Independent designer and technologist — London,…

Gil Cocker — 319 posts
Designer & Maker – London, UK

Barry van Dijck — 125 posts
Designer & Illustrator – Breda, The Netherlands

Gui Seiz — 135 posts
Graphic Designer – London, UK

Chris J
Chris Jackson — 71 posts
Graphic Designer – Leeds, UK

Tom Vining
Tom Vining — 12 posts
Graphic Designer – London, UK

Tommy Borgen
Tommy Borgen — 15 posts
Graphic Designer – Oslo, Norway

Clinton Duncan — 24 posts
Creative director – Sydney, Australia

Amanda Jones — 25 posts
Graphic Designer – Ann Arbor, Michigan

Gabriela Salinas — 18 posts
Graphic designer – Monterrey, México.

Felicia Aurora Eriksson
Felicia Aurora Eriksson — 6 posts
Graphic Designer – Melbourne, Australia

Got something for us?

If there’s a juicy bit of creative gold you’d like to see on FFF, or you’d just like to get in touch, email us on the address below and we’ll get back to you as soon as we can.

You can also check out our guide to the perfect submission here.

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Categories rowsEverything Interviews Books Events Jobs



A look back at Typo Berlin

Last week we we’re invited to Berlin to give you, our readers, an impression of the 20th Typo conference. 57 lectures, 11 workshops, 1650 participants, 42 nations, spread across 3 days. Inspiring people from across the globe present their point of view on topics ranging from typography, design, illustration, programming to robotics. All loosely gathered around this years theme of ‘Character’.

We’ll summ up our highlights in another post next week but for now I’ll leave you with some impressions of the event and this short video on ‘Character’. Thanks to everyone that spoke to us and made our trip to Berlin so memorable!


15 reasons to visit the OFFF 2015

In preparation for next year’s 15th Anniversary of the OFFFest in Barcelona we are giving you no less than 15 great reasons to book your tickets and a flight to sunny Spain.

1. Watch Signalnoise (James White) opening the Main Titles for the first time in his career for OFFF Barcelona 2015.

2. Get your hands on the OFFF 15th Anniversary limited edition book by Vasava.

3. Take a walk around Barcelona’s gothic quarter.

4. Be the first to hear about exclusive projects announcements by featured speakers like Territory studio, GMUNK and more!

5. Experience Joshua Davis exclusive chillout project and float in The Deepest of Space.

6. Help Michael Cina rebrand OFFF.

7. Watch the sunset from Guell Park.

8. Make Your Own Robot with Jan De Coster.

9. Discover with Renascent the Evolution of Copying in an awesome workshop.

10. Enjoy a drink and one hell of a view from the Silken Diagonal Hotel rooftop.

11. Create circles out of abstract shapes with Rik Oostenbroek.

12. Eat some tapas in Barcelona. We can recommend L’Ostia.

13. Watch featured artist SNASK “special performance that will blow everyone’s mind OFFF”.

14. Explore the OFFF Market Street where loads of great designers and makers sell their wares.

15. Hire a bike and ride off your OFFF closing-party hangover.

There you go. If that doesn’t convince you, nothing will! Get your tickets now.


LongLunch 58: 4Creative / Born Risky

LongLunch has teamed up once again with The Design Museum in London to host a rare chance to see the elusive, multi-awarded in-house agency 4Creative speak about their work and process. Known for consistently creating some of the most challenging, powerful and creative work across advertising, brand identity and graphic design, this is one not to miss.

Like always LongLunch have worked with their speaker to produce a limited run of posters, this time in collaboration with a new sponsor, Print Club London, hand-pulled by their Head Printer Marco Lawrence. Posters are given away on the night, so first come first served!

Tickets are on sale via Design Museum. Adults £12 / Students £9 / Members £6. 27 October 2014.

See you there!


Graphic Design Festival Scotland (GDFS)

Graphic Design Festival Scotland (GDFS) is an all new programme of workshops, competitions, talks, exhibitions, urban murals and live stream discussions, taking place between 22nd-26th of October with exhibitions running before, after and throughout.

Created and organised by Beth Wilson and James Gilchrist of Glasgow based Warriors Studio, the events are participation-based and aim to inspire young designers through active engagement. Our goal is to promote networking, creativity, learning, collaboration, friendly competition and importantly, to have fun.

The workshops will be centred around creative processes; conceptual thinking, visual communication and professional practice. We want to offer opportunities to develop creative problem solving skills and challenge ways of thinking through design-based projects and conceptual arts. There is an impressive list of workshop leaders and competition mentors on board including the likes of Anthony Burrill, Hort, Kesselskramer, Design Büro Frankfurt, 44 Flavours, Freytag Anderson, OK-RM, Recoat, Risotto Studio, Graphical HouseTouch, MadeBrave and O-Street.

If that wasn’t enough they are also running the GDFS International Poster Competition to encourage people to showcase and celebrate a broad selection of poster design from across the world, with a selection of entrants being exhibited during the festival at ‘In Public Gallery’ – Glasgow, Scotland. For submission details visit here.

Full a full list of programme events, poster competition information and how you can get involved visit the GDFS site or follow announcements and updates @GDFScotland


Registration Summer School is now open!

Roll up! Roll up! South London’s Registration Summer School is now open!

Three days of design lead workshops, lectures, performances and social activities from a selection of design professionals including Sebastian Zimmerhackl and Anthony Burrill alongside the brilliant Hato Press Studio.

Set in a disused primary school, in the Borough of Lewisham Registration is out to deliver experiential education methods that seek to give insight and inspire students. I chatted to Ross Bennett, one of the brains behind the programme to find a little bit more about what’s going on;

How did you come around to putting together Registration?

A friend and recent graduate (Callum Copley) approached myself (Ross Bennett) and Andrew Thorpe, designers who live in South London – with an idea for a summer school. Callum had been to a few different programmes over seas, like ‘After School Club’ in Offenbach, Germany.

Eike König From the studio ‘Hort’ and students from the Offenbach University ran the event in together as a joint project. Callum had a great time and found the collaboration between students and practitioners on such a non-hierarchical level really inspiring. Being surrounded by so many talented students in such short period of time (3 days) and being asked to produce work is an amazing experience.

There wasn’t really anything offering the same kind of fun, free educational structure that we thought there should be over here. So we’re making it happen.

Who should be looking to apply?

You should be interested in approaching subjects from all angles, researching and be open to creative briefs. We don’t want to limit it to Art and design students. But it will probably be past, present or future students that look to get involved in a fun project to challenge their notions of practice.

We want to cultivate a group of multi-practice individuals. We’ll try to make the selected group of students as diverse as possible so that they get the most from each other as well as from the guests that will be delivering workshops, and lectures.

Why the subject of Fear?

After a lot of discussion around whether or not there should be a theme and what it should be we thought it would help the practitioners we were inviting to work from a topic.

As Callum was a recent graduate and as myself and Andrew know only too well University is riddled with fear, just about every human being out there has their share of fears. Be they daily and trivial, or a severe disorder. We feel that fear as a topic isn’t that widely discussed within art and design, especially within education and practice.

We want to open up the theme discuss it without being afraid and maybe think about ways that we can suffer less from it and create work out of it. Across the 3 days and with such a breadth of guests we hope that the theme will be approached from many different perspectives.

What’s in the pipeline for future Registrations?

It’s very easy to start thinking too far into future before things have happened but it would be nice to keep ourselves open to the possibilities of a developed and new programme hopefully with the new network of people we form from this first registration.

It would be great to take on residencies in unused schools during their summer breaks. And definitely to keep working on projects that open up alternative education methods and maintain an element of fun and remain social at their core.

– – –

Registration Summer School – Open from the 19th to the 21st of August

Find more on Registration at:


Topman 214: The Art of Noise with Trevor Jackson

With festival season now upon us, Topman have decided to join in and create their very own inside their newly revamped Oxford Street store. From this Wednesday there’s music from the likes of Boiler Room, TOY, Telegram, Ghost Poet and more then on top of all that there’s a series of workshop’s, talk’s and Q&A’s covering the music and design industry.

Where’s the relevance to FFF then? Well with no doubt the main pulling point of the whole festival will be a Q&A discussion from 1pm on Wednesday with myself, graphic designer Sir Trevor Jackson the brilliant video scholar Max Hattler and Will Brown from In The Woods Festival in discussion with Alex Rayner (The Face, Dazed and NME) chatting all things design within the music industry.

For more information on the rest of the festival’s elements and more on this Q&A in particular head over to their landing page here.


Pick Me Up 2014 – Opens today

Back for it’s 5th year, Pick Me Up 2014 kicks off today at Somerset House in London hosting the graphic art in all its forms. Taking place across Somerset House’s cacophony of rooms, spaces and caves each containing curated artists, collectives and talks it’s set to be bigger and better than before with more late nights and disciplines represented over the 10 day festival.

Read more



KK Outlet, are hosting an exhibition of new work by one of our favourite artists Von. Elsewhere, is a collection of delicately beautiful drawings based on photographs shot by British filmmaker Dan Sully.

“Elsewhere is a reaction to an increasingly busy, saturated and invasive world where technology creeps further into our daily routine where we are actively encouraged to “share” day to day events no matter how minor or major, “Selfies” are recognised by Oxford English Dictionary and reaching for your phone when you have a spare minute to kill has become an automatic reaction. All these things make witnessing the moments where people have completely slipped into their own thoughts all the more rare, fragile and beautiful.”

Four different exhibition posters were designed for the show by Hort, David Pearson, Non-Format and Darren Firth (pictured). Prints and originals will be available to buy throughout the exhibition.

Launch Party: Thursday 1 May Exhibition Runs: 2-31 May


The Poool

The Poool is a dynamic project brought to you by OFFF that changes every year; offering exclusive elements, interviews and features by the most talented beings out there.

The magazine this year will be taken on a personal level, a piece that the Poool Team hope to offer to people as something that they want to keep forever. Packed with interviews with Casey Neistat, Patrick Clair and Oliver Jeffers and features by Studio Blup, Bartholot, Conrad Roset and many more. The magazine’s cover will be designed exclusively by Si Scott and will come with a poster designed by Noelia Lozano.

The mag will be exclusively available to all attendees of the OFFF Barcelona on May 15th – 17th.


Out The Box 7: Oh No Oh Yes

Oh no? Oh Yes! On the 9th May Out The Box goes into its 7th round. This time Edelstall have teamed up with the Kestnergesellschaft in Hanover to bring the event to a larger audience. To warm up the new venue we’re bringing Bauhaus-University young-guns Yoshiko Jentczak, Viola Kristin Steinberg und Julia Wagner, collectively known as »Oh No Oh Yes« to talk about things.

For those of you who have never heard of Out The Box, it’s a talk format where we ask talented speakers to come and chat about objects we place in a box in front of them. The speaker doesn’t have a clue as to what will be in the box, providing the audience with a completely unpredictable, unscripted and unrehearsed impression of the speaker.

So far we’ve had the likes of Eike König, Deutsche & Japaner, Mario Lombardo, Andreas Uebele and Willem Stratmann visit us in Hannover.

Tickets and more Informationen:


BCNMCR Reviewed

Last week saw BCNMCR (sponsored by Shillington College and organised by designer Dave Sedgwick) take place across Manchester, including a day of talks from Barcelona studios SOLOTOORMIXLAURA MESEGUERATIPUSCLASE BCN, and TWO POINTS.  A total of eleven studios (including FFF favourites Alex Trochut and Brosmind) are involved in this years free exhibition at Northern Quarter venue Twenty Twenty Two (formerly 2022NQ), which opened on March 27 and runs until April 23rd, with most designing exclusive new work especially for the show. A few of us from FFF descended upon the city to see what we could learn from our European friends in the beautiful setting of the Halle.

Needless to say, the talks were brilliant – full of humour, insight and passion.

Read more


The Book of Everyone

The Book of Everyone looks like an interesting idea. The site let’s you create a design-led, fact filled, curiosity inducing, personalised books about – everyone and anyone! If you are looking for a unique gift, then give it a shot. It’s free to try and easy to use!

KK Outlet are hosting a little get together to celebrate the launch of The Book of Everyone with a exclusively commissioned exhibition including Damien Poulain, Ian Stevenson, Jean Julien, Kyle Platts, Malika Favre, MVM, Nous Vous, Patrick Kyle, Sac Magique, Supermundane, Tom Edwards.

Come along to the launch of The Book of Everyone at KK Outlet on Thursday 30th January between 7-9pm to find out.


The Modern Magazine

‘The Modern Magazine’ is the name of both the recent book by magCulture’s Jeremy Leslie, and the one-day conference that took place at Central Saint Martin’s Platform Theatre, London. There’s a great comprehensive overview of the event here on the magCulture blog. I had the pleasure of attending, and found it absolutely lived up to its aspirations to be “a celebration of the best of current editorial creativity”.

As Leslie puts it: “The magazine industry has continually been written off in recent years, yet magazines continue to be published and read. Despite fewer big launches and smaller budgets, magazine makers have risen to the challenging times and we are witnessing one of the most exciting creative eras in editorial thinking and innovation. A golden age of creativity.”

The line up of contemporary magazine makers was indeed impressive, such as Bloomberg Businessweek’s Richard Turley and Monocle’s Tyler Brule, who are redefining magazines for our age (not to mention; Omar Sosa, (Apartamento), Rosa Park, (Cereal), Simon Esterson, (Eye), Justine Picardie, (Harper’s Bazaar),  Liz Ann Bennett (Oh Comely), Debbi Evans (Libertine), Penny Martin (The Gentlewoman), Davey Spens, (Boat), Patrick Waterhouse, (Colors), Cathy Olmedillas, (Anorak), Paul Barnes, (Commercial Type), David Jacobs, (29th Street), Scott King, (Sink Vogue). There was also a series of panel discussions, one about independent publishing and one about ‘women’s magazines’. The indie-publishing panel was chaired by all round good-guy Steve Watson from the brilliant STACK, his comprehensive write-up of the day can be found here.

The book is also a huge success. It carries a byline ‘Visual Journalism in the Digital Era’ and across its 240 pages it presents an overview of current editorial design trends, drawing on publications from the past ten years (since the first MagCulture book was released) to show how printed magazines have responded to the new digital channels.

Leslie explains the structure of the book: The book works on three levels. First, it’s a visual record of the graphic trends and visual quirks that have marked the past ten years. Most of its 750 images were photographed as real objects and have been carefully juxtaposed to provide a page-by-page guide to design trends and themes (handwritten text, illustration, lists, infographics etc). A four-chapter structure sits over this, each opening with an essay (Rethinking the Magazine, Reinventing Genres, Design x Content and Print x Digital). And each of these chapters have case studies based on interviews with key creative figures chosen to emphasise the need for a shared vision between content and design in contemporary magazines.

With enthusiastic folk like Jeremy championing the medium of magazines, communities and events springing up (not to mention other great online resources such as Magpile) it does indeed feel like we’re experiencing a new golden age of magazines. A great addition to the conference-calendar, let’s hope it becomes an annual event…

Treat yourself to a copy for the discounted price of £25. 750 illustrations | 240 pages | 280 x 216 mm


Semi-Permanent Conference

For those of you who missed it. Semi-Permanent came to Melbourne last week bringing with them a plethora of interesting and awesome speakers including:

Jessica Hishce, Nicholas Felton, Seb Lester, Julian Frost, Moffitt&Moffitt, Studio Hunt&Co, Ant Keogh, Glendyn Ivyn, Lilli Waters  Nicole Reed, Magdalena Wosinska, Ben Briand, and Miso – Stanislava Pinchuk

The conference took place over two days at Melbourne Conference and Exhibition Centre, a good venue to facilitate a big audience but unfortunately located in one of the least inspiring areas of the Melbourne CBD. With a set of 7 speakers per day presenting for 45 minutes each the schedule was quite tight and unfortunately left little to no time of Q&A’s at the end of each talk. The speakers came from a range of backgrounds from designers, art directors, illustrators to film makers and photographers. As there was no particular theme set for the conference, the talks were focused on giving deeper insight into the speakers work, methods and journeys.


Here are some of our highlights from the two days


Kicking off day one was creative twins Andrew&Mark from Moffitt&Moffitt (Sydney) who are also responsible for the rebrand of Semi-Permanent. Starting off with photos of the brothers as kids in their Mickey Mouse outfits, they took us on a journey through the ups and downs of their life and work together.  The twins captivated the audience with cocky silliness and insights into their highly polished work, which ranged from photographing 6 metre flames in someones questionable garage for an album cover  to pushing the boundaries of briefs with clients such as global company GE (see project here). The part that most resonated with us was their “Success of Failure” story. It started out as a story about a fashion magazine with the generic name Girls&Boys targeted at “trendsetters” using big 3D letters “because it was cool” until they realised how, as they put it, “self indulgent and shit” it was. They threw the giant 3D letters off their balcony the same night and started from scratch. Their solution became highly acclaimed music magazine Demo which grew from the idea of capturing a a video clip on paper covering emerging Australian artists. The key thing they took away from this experience was that the best type of self promotion is to promote someone else, and to always start with the question: how can we help?

Demo Issue 01 by Moffitt&Moffitt

The Verses Album Seasons by Moffitt&Moffitt

Julian Frost

Definitely the highlight of day one (if not the whole conference) was Julian Frost: animator, illustrator and director behind the hugely successful Dumb Ways To Die animation for Metro Trains Melbourne. Julian enjoys drawing silly characters and if his illustrations result in a chuckle he is very happy. His black humour and wit comes through in his work, as well as in his presentation, giving the audience a giggle more than a few times throughout his speech. He gave us a crash course in how to make an animation funny and how he uses Tom Hanks’  “what’s fun about that?” line from the film Big to test this. He also took us through the process of creating the Dumb Ways to Die animation from sketching characters through to creating the smartphone game. Frost gives credit to the client for taking “a giant leap of faith” and almost completely staying out of the project for most of the time – their only feedback in the end was to make the deaths of the characters hit by trains more violent.

He also told us that when Dumb Ways to Die took off on YouTube his brain overloaded and he promptly got a cold. Dumb Ways to Die picked up more awards than anyone ever at Cannes Lions International Festival of Creativity this year and has, according to Frost, been viewed for over 273 years on YouTube (I’m sure you’ve seen it by now but here’s the link anyway). Some examples of Frost’s other work are below.

DumbWaysToDie game

Kid on diving board by Julian Frost

Pooploop by Julian Frost

Nicholas Felton

San Franciscan Nicholas Felton (one of the lead designers of the Facebook timeline and creator of wrapped up day one telling us about the process of creating his hugely popular personal Annual Reports. The man is a genius, and the amount of effort and detail he goes into to create these explicit infographics of his life is mind boggling – almost too much to take in on a Friday afternoon. Felton describes the Annual Reports as stories expressed in numbers, and he says that numbers play a big role in how we communicate today, and should be considered as tool to use along side typography and imagery.

Nicholas Felton


Thomas Williams from Hunt&Co (Melbourne) kicks off day two of the conference. Thomas is the man behind internationally loved publication Process Journal and Made. He told us about growing up on a vineyard and failing art class. He revealed some of his early work as a designer and how back then he thought he was pretty awesome… but later realised he wasn’t. As he was challenged with working within the boundaries of normal office hours he eventually decided to start his own studio. The very humble beginnings of Hunt&Co seemed to have been a mixture of playing XBox in his underpants and working really fucking hard as he puts it. Engaging throughout his presentation, Williams was well considered and well structured, and probably involved the most amount of swear words – something he told us he almost regretted having included since another acclaimed speaker had said the night prior that this was un professional. We thought it was absolutely appropriate. He also gave us some well written and spoken words to take with us and share including “Leonardo DiCaprio does not make bad movies. Ever”  and “Don’t do a lot and achieve nothing” and eventually parting with the words…

Thomas Williams

Jessica Hische

Who better to wrap up a conference the Jessica Hische? Seriously. She was everything we thought she would be… and more. Master of improvisation and a seasoned speaker she engaged us with little anecdotes and even cross referenced the presentations of the previous speakers as she went. Amongst other things she spoke about her wedding invite and website and how it had been bagged out on a news site as the most hipster invite anyone’s ever made. She didn’t deny it wasn’t (we think it’s stunning, check it out here.) She also gave insight to the process and research that went into designing the Penguin book series. By the end of her presentation she had won everyone over with her charm and probably made sure everyone was coming to the after party. As a finishing touch to the talk she surprised everyone by showing a polished version of photographer Magdalena Wosinska’s logotype (who spoke previous day) that she had whipped up overnight! This was in no way meant as a slight, she was only offering her professional help and I think Magdalena and Jessica will for sure become great ladybro’s as a result. For anyone who is interested in lettering she also an excellent class up on skillshare!

Lettering Jessica Hische

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I’m a wolves fan and this has always bugged me. The hexagon gets in the way of the attitude the ‘wolf’ could have if it didn’t have to compete with such a strong shape and thick outer line… pedantic maybe …

Roberto D'Andria on Grafiky


Jared G on Nick Deakin: Sheffield Children’s Hospital

Looks nice. Reminds me of the Church of London’s one-off ‘Good Times’ newspaper project.

Matt on The Five to Nine

Good. But not as good as the first.

Michael Thomason on Axis Animation – Gab Talk

Its eerly similar to the simbol on the artifact in quartermass and the pit

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Link is down?

whywoody on Studio Playlist 02 – Anagrama