Design inspiration from around the world.

What the FFF?

Founded in 2007 by an ever growing group of designers, illustrators, coders and makers eager to collect and share the best design work they came across, FormFiftyFive soon became an international showcase of creative work.

We scour the world’s best creative talent to keep FormFiftyFive a foremost collection of current design from both the young upstarts and well known masters. We’re constantly on the look out for new features that dig even deeper into what’s happening in the design community, so get in touch if there’s something you’ld like to see on here.

Have a look round, if you see something you love or hate be sure to comment, and drop us a line if there’s a juicy bit of creative gold you’d like to see on here.

Keep it real, the FFF team.

The FFF team

Glenn Garriock — 1582 posts
Graphic designer – Uetze, Germany

Jack Daly — 1191 posts
Graphic designer & Illustrator – Glasgow,…

Lois Daly — 45 posts
Lois Daly – Graphic Designer, Glasgow

Alex Nelson — 81 posts
Designer/coder – Leeds/London/Melbourne

Guy Moorhouse — 46 posts
Independent designer and technologist — London,…

Gil Cocker — 321 posts
Designer & Maker – London, UK

Liam Crean
Liam Crean — 20 posts
Designer & Developer – Derby, UK

Barry van Dijck — 125 posts
Designer & Illustrator – Breda, The Netherlands

Gui Seiz — 135 posts
Graphic Designer – London, UK

Chris J
Chris Jackson — 72 posts
Graphic Designer – Leeds, UK

Tom Vining
Tom Vining — 12 posts
Graphic Designer – London, UK

Tommy Borgen
Tommy Borgen — 15 posts
Graphic Designer – Oslo, Norway

Clinton Duncan — 24 posts
Creative director – Sydney, Australia

Amanda Jones — 27 posts
Graphic Designer – Ann Arbor, Michigan

Gabriela Salinas — 21 posts
Graphic designer – Monterrey, México.

Felicia Aurora Eriksson
Felicia Aurora Eriksson — 7 posts
Graphic Designer – Melbourne, Australia

Got something for us?

If there’s a juicy bit of creative gold you’d like to see on FFF, or you’d just like to get in touch, email us on the address below and we’ll get back to you as soon as we can.

You can also check out our guide to the perfect submission here.

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Liam Crean

Liam Crean

Designer & Developer – Derby, UK

Posts by Liam Crean:


Jonathan Cherry

Jonathan Cherry has updated his portfolio – an enviable and skilled body of work, notably his earnest portrait studies.

b.1986, Jonathan Cherry is a photographer and keen cyclist. He graduated from University College Falmouth in 2009 with a BA (Hons) in Photography, studying under Steven Tynan and Sian Bonnell.

Since graduating Jonathan founded MULL IT OVER; a series of web based interviews with innovative contemporary photographers from around the world. Over the past 24 months he has shot in Croatia with Bless, India with PAVE, West Wales with Do & Athens with Boat.

He uses a Mamiya 7ii, a Hasselblad 503CXi with Kodak film and a Canon 5D Mk2. Jonathan works between the West Midlands & London, UK. Caen & Paris, France.




I’m quite surprised we haven’t covered lg2boutique before now. This French-Canadian studio based in Quebec and Montreal have a sublime portfolio of work. Their branding and identity projects in particular are incredibly rich, unified and expertly executed.


Graphic Design: A User’s Manual—Book Review

Of all the design related books on my shelf How to be a Graphic Designer, Without Losing Your Soul is definitely the most thumbed. Its tatty corners and mucky cover hint at its usefulness since I bought it about five years ago. And you I know I’m not alone. So I was pretty excited to receive Graphic Design: A User’s Manual for review. And, in this book, Adrian Shaughnessy does not disappoint, delivering another great addition any designer’s bookshelf.

When the book arrived, I decided that I’d try and use it objectively. After all it is a reference book in every sense of the word. My decision was helped by its size (it’s encyclopedic), and my workload (spiralling), so I didn’t read it cover to cover. Over the past month or so it’s been sat next to my mug, the first point of reference for the times when a question arises that we might usually ask an experienced colleague, friend or a search engine. If it came close to answering the questions of daily design business I’d be very impressed.

It wasn’t love at first sight. I mean I liked the way it was presented, the mono-spaced type, alphabetically organised topics and the super-simple colour-plan, but I was expecting a more diversely populated reference manual—more like a design dictionary. Look up ‘invoices’, get a list of best practices. Look-up ‘bleed’, find some hard and fast rules. Look-up ‘book cover design’, get a winning formula. But this is not a how-to guide as such, nor is it conventional in the way it’s written. However those are the exact reasons why I’m really starting to like it. It’s a conversational directory of experiences, ideas and discussion themes. Instead of telling you what’s best and what isn’t, it draws on the vast and enviable experience of the author to describe those daily situations you find yourself in and offers another point of view. How do I deal with a seemingly balmy client who wants that ‘cute’ photo of his dog in his accountancy brochure? What kind of things should I look out for when I’m choosing graduates for placement? Can designer envy be used in a positive way? It’s a bit like consulting your favourite tutor, a helpful creative director, or the artworker at your preferred printer. It has easily digestible columns of opinion that are equal in their ability to inspire and direct. Every graphic design student will love this book. Aspiring designers will quote it in essays and pitches, older more experienced designers will read it and nod approvingly. Designers from many different disciplines will recommend it to their peers and even the rock-star designers that make the FFF homepage will learn something new.

One of its strengths is the informal way it’s written. The author’s wit is evident when covering a subject that invokes a pet-hate reaction. For the author it’s the pointless addition of extra marks to an ellipsis….. Similarly I hate the common misuse of the exclamation mark!!!! I like a little comic relief and it’s welcome here, poking fun at those who naively abuse the good rules.

Another nice touch is the consistency of footnotes and references. Each topic has a few notes and there’s always a reference for a more in-depth read. So it makes a good stepping-off point. For example, I’ve recently become more interested in book cover design—I’m designing a website for an author—and a reference lead me to the work of Derek Birdsall and his Notes on book Design. In that vein I can see teachers of Graphic Design, getting a little sick of students doing a ‘follow the white rabbit’ number, but that can be no bad thing. It’s a great book to follow.

It may not be exhaustive and there are missing topics, but if the author had tried to comment on everything I wanted to look-up, it’d have been a foot thick. Some of the small things are better left too Google. The rest is covered here.

In short, buy it!

Here’s the official press video by the author Adrian Shaughnessy.

Words: Liam Crean Photography: Malcolm Menzies


Cardon Copy



More here:

See Cardon Webb’s folio with some lovely type work:


Read Between The Leading

Aaron Heth and Matt McInerney are two extremely passionate design students at the Savannah College of Art & Design. Because we enjoy design, and talking about design so much, we thought we’d give the audio world a try. There is no schedule right now of how often we do shows, although you should be able to expect one or two a month.

Read Between The Leading—It’s a good listen. Makes a change from reading about design.

Good work chaps.

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yes… loving this

ed baptist on Studio Feixen

Nice article – its good to hear the experience of other designers who have started up. Myself and partner have just made it through our first year, i can see some parallels so comforting to get a solid view point

jess codrington on Ten Tips To Starting An Agency

Really nice work. Love the Nike campaign.

Peter Scott on Studio Feixen

Absolutely stunning work!

– Natalie

Natalie on Studio Feixen

A few highlights from a colleague here if you need any reminders:

Matt on ModMag16

Thanks for sharing this post about the Jan font. I love the typography of how the letters are formed. Also, it makes me happy to hear that numerous versions were created. As a designer, it is irritating when you want …

Design Cache on F37 Jan